Sep 27, 2009

感性 - Kansei



What is Kansei (chinese,japanese: 感性)?

In Japan, the terminology of Kansei draws back on the German philosopher, Baumgarten. His work AESTHETICA (1750) was the first study that influenced Kansei engineering[1]. The aim of Kansei study is to seek the structure of emotions which exists beneath human behaviors. This structure is reffered to as a person’s Kansei. In the art and design field, Kansei is one of the most important elements which brings the willing or power of creation. In research by Harada, it was found that the attitude of a person in front of art work and design is not based on logic but on Kansei[2].
The word “Kansei” is interpreted variously and has been used in many researches related with not only design but also other research fields. It is a word which inclusively involves the meaning of words such as sensitivity, sense, sensibility, feeling, aesthetics, emotion, affection and intuition. Fig.1 shows the etymology of Kansei and Chisei (chinese, japanese: 知性) interpreted from Chinese characters, both of which are processed in human minds when they receive the information from the external world. As you see in the figure, Chisei works to increase the knowledge or understanding which is matured by verbal descriptions of logical facts. And Kansei works to increase the creativity through images with feelings or emotions. But we cannot doubt the fact that both Chisei and Kansei have the same level of power to stimulate human behaviors. So far, the practice of most designers has focused on Chisei. Kansei has been regarded as a totally subjective phenomenon so that anyone in the world has their own individual way of absorbing and presenting. In front of a painting, we appreciate it without thinking of any rules but ‘just’ feel a pleasure. (to find out more..)

More about it at :



posted by afterrabbit

Sep 24, 2009

iida - PLY


iida has recently made a new addition into its mobile line - PLY. Beyond its formal expression, PLY bears the profound meaning of "lamination layers" - layers of time, culture, technology and design. Everything that encompasses us continually accretes layer upon layer until it finally produces something of new value.

Forward-looking, yet utter direct in projecting nostalgic impressions of the schedule books and old cassette players from the very first sight of it. The design seems intending to signify how all modern entertainment and working means are now brought to us in one slim and convenient device, showing the way of the future yet at the same time reminding us of where we've come from.
Certainly the only mobile phone design (that I can recall) which is so sympathetic to our memories of the good old times :-)


Function tabs on the side of PLY (top) reminiscent of the buttons on Sony Walkman (bottom left) and tab markers of schedule notebooks (bottom right).
Functions follow - the Old - forms.

I don't know how This one above came about and it most certainly is not the original design. Pretty cool nonetheless.


posted by afterrabbit

Sep 14, 2009

Visions of a Village - Contest


This is a contest for the visions of an ideal sustainable village: a place where you would want to live, study, work and experience the challenges and rewards of an ecologically durable lifestyle. In other words: to define the future of living.

HOW CAN YOU CONTRIBUTE?

You can draw, sketch, take photographs, paint, use digital design tools to create images, or even submit poetry (however, poetry must make a visual statement as well as all entries will be treated as images). You can be as creative as you like, but please keep in mind the key words and goals of the CLEAR Village.

Distil your vision in to a 600dpi horizontal A4 image and send it through sendspace.com, following the instructions mentioned underneath.

Key words:

Collaborative, participatory, connected, global, vernacular, secular, inclusive, multi-generational, multi-functional, adaptive, evolutive, holistic, systemic, community, self-sufficient, sustainable, aspirational, future, masterplan, rural, reboot, low-tech, hi-tech.

Goals of the CLEAR Village Foundation:

Develop an aspirational future of living in the midst of financial and ecological crisis. Co-design a replicable masterplan strategy with global experts to reboot rural & peri-urban areas. Harmonise low-tech romantic ideals with 21st century high-tech solutions and which offers alternative paths to non-sensical new builds.

PRIZES

First Prize: 2500€
Two Runners Up: 1250€ each

Winners names will be published in CLEAR Village publications and the winning entries will be showcased there.


Deadline: 23rd September 2009

Submission through E-mail.

(to find out more..)


taken from: http://www.clear-village.org/contest

posted by afterrabbit

Sep 3, 2009

Recyclable spoon

End of the disposable plastic revolution? Maybe.

It came with the nasi lemak packet I bought for breakfast.

Top view:



Underside:



Use only once! Dispose after use.

Prone to gravy and sauce stains (in this case here, sambal)

Users might get the weird feeling of biting paper.

An alternative to disposable plastics. Go green! =)

posted by ling

Sep 2, 2009

The Shanghai Corporate Pavillion for World Expo 2010 / Atelier Feichang Jianzhu




Technological Detail and Environmental Protection

1. Solar Energy System

The Shanghai Corporate Pavilion features a 1600m2 solar heat-collecting tube on the roof. These solar tube can collect solar energy to produce hot water up to 95°C. Ultra-low temperature power generation techology, a novel way to generate electricity through solar power. The power generated using this technology can be used for both the exposition and for every day.

2. Recycled Plastic materials

Shanghai produces nearly 30 million of waste CDs every year, and only 25% of them are reclaimed and recycled. If these CDs were reclaimed and washed, they could be used to produce polycarbonate granules and manufacture more polycarbonate plastic products. The external facade materials of the Shanghai Corporate Pavilion will use polycarbonate transparent plastic tubes to create its dreamlike appearance. After the Expo, also plastic tubes can be easily recycled to reduce social wastage.

3. Water/mist System

For the Shanghai Corporate pavilion, rainwater will be collected and recycled. After such treatment as sedimentation, filtration and storage, rainwater can be used for daily purposes at the pavilion and for the “mist” in particular. The mist can lower the temperature, purify the air and create a comfortable climate in pavilion. The spray can also be used to form various patterns under ceiling of entrance hall and make the overall appearance of the Shanghai Corporate Pavilion fresh and elegant
(to find out more..)

images and passage from:
http://www.archdaily.com/33751/the-shanghai-corporate-pavillion-for-world-expo-2010/


posted by midori mizu

Aug 8, 2009

Living With Nature

Recent encounters with several attention-grabbing proposals and works which involves urban greenery have led me to ponder on the question of we as humans living with nature. Despite having the world raising flags and banners in support of going green, going sustainable for so many years by now, by looking at these projects I somehow sense strongly that we don't really know how to just live with the nature around us.

High Line Park, New York, 2009.

High Line as seen in 2000, New York.

It isn't deniable that the recently completed High Line Park is quite a success. The park is an elevated deck on an urban scale which provides the public with a pleasant alternative hang-out spot. It elevates people from the ground, connects people from different points within the city, and fosters a new perspective towards the urbanscape in a way.

On the other hand, many feel (including myself) that the condition of the High Line in year 2000 was more moving than the current one. That was an eco-environment in a small scale resulted in nature's own action/reaction towards the city in its most natural manner due to the absence of human disturbance thoughout its shaping.
However, it seems to me that we couldn't live with the natural condition it had been and had to force a more 'human' character onto it. We paved a distinctive walkway for our pedastrian purpose and the plants had to make way for it, and then we categorize the plants into different patches. We are just creating yet another condition similar to the typology of a zoo, a conquered nature.


Gardens by the Bay, Singapore.

Gardens by the Bay, an eco-park project set to cover hectars of land around the Marina Bay in Singapore, is just a more exaggerating example that shouts the message of human efforts conquering nature heavily, rather than the prominence of nature itself.
As if humans aren't a part of the natural habitat, we seem trying our best to differentiate ourselves from the nature. We treat plants and animals as display items, and we go to parks like such not to be in the nature but to look at nature.

Is this what it means by going green, bringing back greeneries to our living realm?
I often question the sincerity behind schemes like the examples shown here (and more). Greenery and nature is obviously not the top priority of such projects but a branding part of it, while true goals are the attraction of tourists and profits etc. While in cases where we're true about reviving nature as part of our living spaces, I guess we hold different values with some not being able to comprehend the deeper problems lie in these over-celebrated examples we see today.


The Manhattan Airport, New York.

In an effort to realise yet another capitalist vision - an airport right in the middle of Manhattan replacing the renown Central Park, The Manhattan Airport Foundation has stated in their website (about Central Park) that, "Amazingly, there is still a large, undeveloped and underutilized site in the center of New York City. In fact, this site has remained undeveloped for so long that many of us forget it even exists."

And the solution is to replace it with an airport? Don't they understand a green space like that is the most valuable asset, the 'heart & soul' of a healthy and human lifestyle for people living in Manhattan? Imagine a park where you can breath in fresh air once in while, suddenly turn into a ground where you get arrested by trespassing.
Tavern On The Green in the airport food court & Strawberry Fields in the indoor concourse? These sounds rather like a hilarious joke for an 'effort' to conserve elements of the Central Park.
Natural green space for these people, is merely an empty plot yet to be made a money-making product.

Utilization of a space does not necessarily mean to build onto it. Development is the word of sin.
In times of overwhelming calls toward going green and going sustainable, we've clearly forgotten how we could live harmoniously with the nature, we've forgotten that we can actually step into, and run about in the field! (hence the so well-designed garden pavements)

Long time ago, humans moved into the forest, found an empty spot and built themselves shelter; Today, plants move into the metropolis built upon the land they once owned, find themselves an empty pot to live in it.

An audience questioned in a forum, "Do you think this is the future of our planet?"

I think we are on the right track when we can finally say "It is just enough."



posted by afterrabbit

Jul 19, 2009

Serpentine Pavilion '09 - Why Cement Flooring?!



The much anticipated Serpentine Pavilion of 2009, by Kazuyo Sejima+Ryue Nishizawa/SANAA, has recently been completed and opened to the public in Kensington Gardens, London.

As promised in the descriptions spread throughout earlier, it has brought a refreshing impression for the pavilion series (this is the ninth) by being the antithesis of its Iconic predecessors designed by Ghery, Niemeyer, Koolhaas and others.
Indeed, the 'floating' structure appears formless and ephemeral, drifts around the trees and camouflages into the surrounding by its extreme reflectiveness. It shouts with a sense of oriental subtlety that seems more noble in a way.



Everything seems pretty brilliant by now, the 'floating smog' is brilliant; the occasional Perspex/acrylic walls are fine, too; but why the cement-rendered flooring which, worse, covers the entire floor area within the 'roof' profile?



For the 'roof', I meant the floating structure which initially, suggested to us as an immaterial, freely drifting matter that somehow, could've been seen as an original archetype, rather than a typical roof element. But unfortunately, the immediate result of laying down that gigantic piece of cement molded with the same outline as the 'roof', is it perceptually affixing the form of the floating structure, restricting its sense of free-flow and ephemerality, making it appear closer to a solid roof than it ought to be.



Furthermore, the unexpected cement flooring almost totally ruined the idea of 'casually passing through the pavilion from any directions, sitting on the shaded lawn doing leisure activities like picnic, reading, napping, walking the dog in an ordinary evening and etc...' which were so strongly expressed in the architect's initial renderings and models, where there were only the floating structure and no cement floor.
Who would want to do the activities mentioned above on a cold, hard slab, honestly? A green lawn or at least the dirt surface after construction, could have been more casual and natural than formal.
Rather than being an inviting space, it could've already rejected some people.




To conclude in comparing with the initial rendering, the actual built work appears less pleasant, energetic and transparent than it could be. It's got a bit too formal than the initial impression given!
I totally love the weightlessly undulating structure but, I personally think this pavilion, 'though not too much, is a disappointment I've received from SANAA.
*nevertheless, my opinion could change, if I were able to visit the pavilion personally.*


afterrabbit

Archifest 2009 : Architecture for Humanity


(click imgs to enlarge)

The annual event in Singapore is back as Archifest 2009 : Architecture for Humanity

Information subjected to change every now and then.
Official website by SIA for the event is under construction and will likely be up by next week.
Or contact via email @ archifest@sia.org.sg

flyer acquired from the SIA.

afterrabbit

Jul 14, 2009

upto35



OLIAROS, a young property development company, is calling architects up to 35 years old to submit proposals for the construction of a student housing unit in Kerameikos and Metaxourgeio (KM), an area in the historic centre of Athens, Greece. The aim of the competition is to encourage creativity among the next generation of designers while supporting architectural research and the implementation of contemporary architecture projects in Greece. The competition seeks to elicit designs which explore new ideas on urbanism and rethink existing housing models for communities. (to find out more..)

image and text from: http://www.upto35.com/

posted by afterrabbit

Jul 13, 2009

Yikes! Sears Tower’s 1353-Foot High Glass Balconies




Would you trust a glass floor that’s an inch and a half thick when suspended 103 stories in the air? People in Chicago today can find out at the Sears Tower, which opened its new set of glass balconies for public viewing. “The Ledge,” as they’re collectively called, hangs 1,353 feet in the air. With transparent walls and ceilings, visitors say its like floating in the sky, and the view is, of course, spectacular. Don’t worry, those glass floor can withstand five tons, but just to be safe, jumping up and down is probably not a good idea.

image and passage from:
http://designcrave.com/2009-07-02/sears-tower-reveals-glass-balconies-on-103rd-floor/


posted by midori mizu

Melbourne’s Iconic Theater Buildings Scoop Victorian Architecture Awards



The Melbourne Recital Centre, and its neighbor, the first permanent home for the Melbourne Theatre Company, have taken out four of the highest honors at this year’s Victorian Architecture Awards. Presented by the Australian Institute of Architects, 37 awards and prizes were announced today at a dinner on Friday, July 10 attended by over 800 guests.

The recital centre and MTC buildings by ARM and the urban transformation of their formerly neglected Southbank site are honored with the 2009 Victorian Architecture Medal for successfully crossing design boundaries and taking out the top awards in three categories: the William Wardell Award for public architecture; the Marion Mahony Award for interior architecture and the Joseph Reed Award for urban design.

Chair of juries, Philip Goad, says the combined buildings make a significant contribution to Melbourne’s arts precinct and may well expand current audiences, sentiments echoed in the Victorian Medal jury citation. “The robust sculptural facades have already become iconic and the changes to traffic and pedestrian patterns at an urban level have transformed the area into an active domain,” praised the jury.(to find out more..)

image and passage from:
http://www.bustler.net/index.php/article/melbournes_iconic_theater_buildings_scoop_victorian_architecture_awards/


posted by midori mizu

Jul 9, 2009

JS Bach Chamber Music Hall by Zaha Hadid Architects



Zaha Hadid Architects have created a unique chamber music hall specially designed to house solo performances of the exquisite music of Johann Sebastian Bach.A voluminous ribbon swirls within the room, carving out a spatial and visual response to the intricate relationships of Bach’s harmonies. As the ribbon careens above the performer, cascades into the ground and wraps around the audience, the original room as a box is sculpted into fluid spaces swelling, merging, and slipping through one another.(to find out more..)

image and passage from:
http://www.dezeen.com/2009/07/07/js-bach-chamber-music-hall-by-zaha-hadid-architects/


posted by midori mizu

Jul 1, 2009

UK Pavilion at Shanghai Expo 2010 by Thomas Heatherwick


The Foreign and Commonwealth Office today reveals updated designs for the UK pavilion that will represent this country at Shanghai Expo 2010; its theme being ‘Better City, Better Life’. Developed by one of the UK’s leading creative talents – Thomas Heatherwick – the UK pavilion will provide a dramatic demonstration of creativity and innovation in the UK.

The centrepiece of the UK’s offering is the extraordinary pavilion building - a six storey high object formed from some 60,000 slender transparent rods, which will extend from the structure and quiver in the breeze. During the day, each of these 7.5m long rods will act like fibre optic filaments, drawing on daylight to illuminate the interior, thereby creating a contemplative awe-inspiring space. At night, light sources at the interior end of each rod will allow the whole structure to glow. The pavilion will sit on a landscape looking like paper that once wrapped the building and that now lies unfolded on the site. The landscape provides an open space for public events and shelter for visitors making their way into the pavilion structure.(to find out more..)





images and passage from:
http://www.dezeen.com/2009/06/30/uk-pavilion-at-shanghai-expo-2010-by-thomas-heatherwick/

posted by midori mizu

Jun 26, 2009

OMA's Rotating Pavilion - Prada Transformer


The 20-metre high Prada Transformer is located adjacent to the 16th Century Gyeonghui Palace in the centre of Seoul. The pavilion consists of four basic geometric shapes – a circle, a cross, a hexagon, a rectangle – leaning together and wrapped in a translucent membrane. Each shape is a potential floor plan designed to be ideal for the cultural programming unfolding over the next three months: a fashion exhibition, a film festival, an art exhibition, and finally a Prada fashion show. Walls will become floors and floors will become walls as the pavilion is flipped over by three cranes after each event to accommodate the next.
Rem Koolhaas explained the idea behind the Prada Transformer: “Rather than having one average condition, we conceived a pavilion that, by simply rotating it, acquires a different character and accommodates different needs.” Koolhaas added: “The project is exciting to us because it is the first hybrid between Prada fashion and the Prada Foundation.”
(to find out more..)

A typical example of Koolhaas' placeless architecture, it choses to be indifferent to the surrounding and creating an interesting juxtaposition of two cultures and time. Even though appearing hostile, the pavilion is the result of an encounter between two icons (Gyeonghui Palace & Prada) from different time and origins that had never quite come together, which further exemplifies each other's identity and statement of its own.
Why bother its hostility since Prada's only going to stay until its job is finished?
Modern, functional, innovative and being temporal is the context.

Another commendable aspect of this well-conceived pavilion is its transformability.
Rather than a typical exhibition typology that requires individual covered spaces for each programs, Prada Transformer is like a folded-up plan. A single huge space where internal surfaces - the floor, walls & ceiling - all act as floor spaces for different programs.
This innovation quite successfully reduces the size and footprint of the structure, making it 'lighter' in many senses; While the down side is that the programs can't operate simultaneously.

What more to say about the interior space?
The honesty of materials and structures, the togetherness between rigid geometries and softness of fabric & daylighting is pretty obvious.
It is unquestionably that the idea behind this design is simply, and strongly expressed through the actual pavilion created, actually, much better than the 3d visualizations published earlier.


posted by afterrabbit

Jun 23, 2009

MVRDV



posted by midori mizu

Jun 19, 2009

5 designs that change the world

“You know a design is good when you want to lick it,” says Steve Jobs, founder of Apple Computer. But a truly iconic design must do more than make you salivate. It must have social impact too.

Great design should marry aesthetics with practicality, providing solutions to everyday problems – even if you didn’t know you had them before they came along.

CNN has picked out five great designs from the last 100 years. They are all products which have fundamentally changed the lives of millions of people.

1. Volkwagen ‘Beetle’



2. The Leica camera


3. The ballpoint pen


4. The iPod


5. The London Underground map


Text from: http://bloggomatic.wordpress.com/2007/11/01/five-designs-that-changed-the-world/

Images from:
http://www.analogstereo.com/volkswagen_beetle_owners_manual.htm
http://www.shotaddict.com/wordpress/2007/06/03/3568.html
http://www.swisherpens.com/Catalog/conklin-all-american-ballpoint-pen.htm
http://www.reghardware.co.uk/2007/09/13/review_apple_ipod_classic/
http://www.tourstolondon.co.uk/london-map.html


posted by ling

Jun 17, 2009

Latest Update! DATUM:KL 2009


(click image to enlarge)

For your information, David Adjaye will not make it to the event due to clashes in his working schedule, sorry for those eagerly awaiting for his presentation...
However, there're 2 added speakers:

1) Alastair Hall of Hackett Hall Mcknight from Ireland ( Winners of BD Young Architects of the Year in Oct 2008 ), &
2) Marina Tabassum of MTA/Urbana from Bangladesh.

along with other confirmed speakers:
3) Winy Maas of MVRDV
4) Han Tumertekin of Mimarlar Tasarim Danismanlink Ltd
5) Junya Ishigami of Junya Ishigami + Associates
6) Roman Delugan of Delugan Meissl Associated Architects
7) Meejin Yoon & Eric Howeler of Howeler + Yoon Architects
8) Stephen Pimbley of Sparch
9) Zhang Ke of Standardarchitecture
10) Hud Abu Bakar of RSP Architects, Planners & Engineers.


Thanks Fay~

posted by afterrabbit

Jun 5, 2009

Updates on DATUM KL 2009





(click images to enlarge)

posted by afterrabbit

Silos Competition - NL Architects


Amsterdam city council recently held 'the silo competition' which involved the adaptive and reuse design for two former sewage treatment silos in the city's Zeeburg District.
For the competition NL Architects proposed silos dedicated to climbing, sports and culture. In their design the existing structures were extended to the maximum height to benefit from the views.
The cultural silo consists of two theaters with dressing rooms and rehearsal spaces, spaces for workshops, exhibition spaces, music studios and a space for hair design. A bridge connects the silos at the height of the original roof level and office spaces will be positioned on top. The top level will be dedicated to a restaurant with 360 views and a roof terrace.
Using the cylinder of the silo as a basis they created a 40 meter high artificial cave that consists of challenging cantilevers and overhangs for climbers. Since climbing walls essentially are oblique, a section can allow for an increase in space between the inside and outside, allowing usable floor areas on a higher level. (to find out more..)




passage & images from: http://www.designboom.com/weblog/cat/9/view/6197/nl-architects-annie-mg-schimdt-house-competition-proposal.html

posted by afterrabbit
 

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